Veronica writes an ode to Alexander Payne’s Election – a perfect microcosm of the US, our inherent mistrust of ambitious women, and the gross reality of being a human.

Emmy award-winning filmmaker Lynn Novick talks with Jenna about her latest documentary Hemingway, including how to read his work, the prison of his masculinity and Hemingway’s relevancy for modern day audiences. They also touch upon being a female filmmaker and her collaborations with Ken Burns.

At a time when giving toxic male personalities a second look may feel almost like a step backwards, Hemingway makes a strong case for trying. Novick and Burns tackle Hemingway's troubled legacy by looking at his life through his wives, working to separate the myth from the decidedly more interesting man.

The brilliance of She Dies Tomorrow is in how it weaponizes the anxiety of anticipation. The finality of death, in comparison, feels far less terrifying than having to live in fear of its inevitability.

This time on the latest episode of Hoser Horror, Dan and Carlo watch a double-feature about men, their failing lives and relationships, and their inability to distinguish reality from non-reality.

Jenna and Veronica discuss Robert Sellers' book Hellraisers–a biography about Peter O'Toole, Richard Harris, Richard Burton and Oliver Reed–and how the legacies of these four legendary drunks fit in with our modern societal standards.

Ishtar’s reputation stinks. But do you know what stinks even more? The men that undermined director Elaine May at every opportunity throughout the production, shooting, editing and promotion of the film.

Guest contributor Russell discusses the recent animated film trend of directly addressing toxic masculinity. Between how The LEGO Movie 2, LEGO Batman and Ralph Breaks The Internet tackles the topic, he wishes more movies like these had been around when he was a kid.

A review of Nacho Vigalondo's Colossal, staring Anne Hathaway and Jason Sudeikis