Jenna and Veronica discuss Robert Sellers' book Hellraisers–a biography about Peter O'Toole, Richard Harris, Richard Burton and Oliver Reed–and how the legacies of these four legendary drunks fit in with our modern societal standards.

If you watch The Party’s Over and Last Summer in a row and you'll come away realizing not only was the dream of the 1960s a lie, but we've never actually accomplished anything.

Black 47 and Bad Day for the Cut both star bearded Irish men with rifles who are out for blood over political strife. So if you want some charming accents and a whole lot of violence, look no further than this double feature.

You may not have heard of him, but Michael Greer managed to make a modest but impressive dent in the oppressively straight world of cinema in the late '60s and early '70s. Greer went from comedy clubs to the silver screen without ever pretending he was anything other than what he was – unabashedly out of the closet.

Myra Breckinridge is indeed a failure of an adaptation, yet I suspect the intensity of the vitriol towards this film is about something beyond just the admittedly poor direction; most likely it has more to do with the unconscious biases Vidal set out to skewer to begin with.

La Grande Bouffe is a movie that drags out all of the worst qualities in humanity and society, mixes them with our most base and unpleasant bodily functions, and then wallows in them all like pigs in shit. 

In light of Deneuve's comments on #MeToo, Jenna muses on how it is that somebody so close to Repulsion could somehow miss this point of the movie entirely.

Rita Moreno is sharp, stunning, can sing, dance, act, just everything. She also had a ton of sex with Marlon Brando 👍

Fire Walk With Me hammers home the anguish of the life that existed before it was defined by a final tragic act.