You may not have heard of him, but Michael Greer managed to make a modest but impressive dent in the oppressively straight world of cinema in the late '60s and early '70s. Greer went from comedy clubs to the silver screen without ever pretending he was anything other than what he was – unabashedly out of the closet.

Featuring The Hired Hand and Zachariah - fusions of Western and counterculturist values.