All tagged Guest Contributor
While The Fly is implicitly and explicitly about abortion, Dead Ringers takes on the entire sphere of gynecological healthcare – how the patriarchy poisons even a sphere where pregnant people should feel safe and listened to.
The biggest problem with adaptations of Lady Chatterley’s Lover is not just thinly drawn characters or poorly filmed sex scenes, it is in how they leave what makes the novel intellectually provoking on the cutting room floor.
Guest contributor Zoe Rogan explores the parallels between Olivia Wilde’s Don’t Worry Darling and Luis Buñuel’s Belle du Jour – both films set within repressive worlds, heavy on themes of control, patriarchy and sex, and feature women who seek to break free.
Carlo and East Asian literature/film academic Jessica Siu-yin Yeung talk about their mutual love for Hong Kong and Taiwan cinema – including the best five films to get you started on your own cinematic journey.
The experience of seeing Cats, especially at a late-night or rowdy screenings, is like trying to solve a brain-teaser in a karaoke bar on a rollercoaster. Guest contributor PJ Kryfko lays out who, what, and how of Cats, as well as why he will be watching it for the rest of his life.
Guest Ben Nash joins Jenna to discuss two later Jerry Lewis offerings. One of the overlooked genius type, aka Cracking Up, and one of the don’t-even-look vomit type, aka The Nutty Professor II: Facing the Fear.
Carlo, Dan and guest Adam Eisentrout discuss My Bloody Valentine (1981), and Visiting Hours (1982) and their place in the pantheon of blood-soaked Canadian stab-’em-ups.
Guest contributor Russell discusses the recent animated film trend of directly addressing toxic masculinity. Between how The LEGO Movie 2, LEGO Batman and Ralph Breaks The Internet tackles the topic, he wishes more movies like these had been around when he was a kid.
You may be surprised to find out that 8 1/2 and 9 1/2 Weeks have more in common than their sequential titles; they’re both approaches to art-making about approaching art-making.
With the character of Dr Klemperer, Luca Guadagnino and David Kajganich make an assumption of guilt that should be unpacked. In weighing the insinuations of this storyline, Auschwitz survivor Primo Levi comes to mind.